● ● ● ꧖Selected Work𖦹 ༘

Idealise Space: Exploration of Space, out of space. ✷

✳.✷`,⁑ ⁑꙳ ⋱⁎⁎𓂃𓂃𓂅*

This work challenges the conventional understanding of space as a static physical container, and instead constructs a non-linear narrative poetics of space through poetry, visual image experiment, and the intervention of cosmological theories, emphasising that space is not only a background for ‘being used’, but also a state of existence that is symbiotic with human beings and constantly generated.

2026.06*

⇢⇢𖡡𓏢To read my Thesis

It challenges the conventional understanding of space as a static physical container,
and instead constructs a non-linear narrative poetics of space through poetry, visual image experiment, and the intervention of cosmological theories, emphasising that space is not only a background for ‘being used’, but also a state of existence that is symbiotic with human beings and constantly generated.

꙳꙳☄☄☄☄2)*.Idealised Space: Endlessness in Orbit

‘Endlessness in Orbit’ is an experimental visual work that uses poetry as a fictional story to guide the narrative, connecting the macrocosmic, abstract perspective of the universe with the intangible perception of space in personal dreams. Using the “egg” as the origin of all existence, the work employs non-linear and fragmented narrative techniques to explore space beyond secular definitions and physical boundaries, delving into the essence of ‘existence.’

08’’15’’

*The video is divided into five parts: Enclose, Nurture, Division, Flow, and Extension. These five sections symbolise the egg as a metaphor, simulating a model of spatial birth,
how space witnesses the incubation of life, and how it transcends time and space to bear the weight of the universe,
embodying the dynamic process of existence transitioning into nothingness.*((////..

Idealise Space: <Past Moon.> ☂☾

♡.♩♩♬☾❅ ⋱⁎⁎⁂❄❄..

The story of <Past Moon.> is rooted in the loss of my childhood home, a place I lived in from birth that was torn down by the government when I was 17, but it still persists in my family’s photo album, where it serves as a quiet, often ignored background in human narratives.

Through archival photographs, interviews and storytelling, I attempt to link memory and space in a non-linear narrative, making the space progressively three-dimensional through fragmented and fragile memories, and breaking down the limits of the definition of place for critical reflection.

Printing Process: Translucent vellum paper80g, Biotop150g, Silver foil paper150g///Scale: 166x297mm, 210x297mm////Binding Type: Side sewn binding///Pages: 52P

*During the process of making the book, I tried to make the images frames looked like stamps, and blurred the subjects of these images.
In some pages you could also find some random words with numbers, the numbers are just the pages of the book,
but the random words are memories I recalled of the old home, which I’d like to see as echoes of my fragmented memories. *((////..

⇢⇢𖡡♩Family Narratives, Reconstructing Home Through Stories

*In the film essay, I revisit memories of my childhood and the home I grew up in through conversations with my grandparents.
By bringing together their stories, fragments of memories, and images of my hometown after its demolition,
I try to piece together a place that no longer exists, but still feels close to me.

If_the Park_was the city_●𓆱

𓆭∗𓆰✿𓆱𖦞𖦞𐡘𐡙𐡚𐡚𓇣𓇣

This project explores the importance of urban parks in post-pandemic China, I seek healing from a natural healing perspective to relieve anxiety by sensing the beauty that the presence of the 'park' brings to us. By investigating the importance of parks and their development in the city today, I explore the co-growth between the city and nature, find a harmonious relationship between the two, and consider the value of the existence of parks and the meaning of life in the process of social development, from which we can heal.

⇉Documentary

Printing Process: 120g Super-Sensitive Paper/Art Paper with Hard Cover/////Scale: 297x420mm/210x210mm

I Over-Heard☞❞

°。°。°。°。°。

"Eavesdrop" is an act that combines two opposite sides: it is both public and private, allowing a relationship to be established and a connection to be made between 'the eavesdropper' and 'the eavesdropped'. It allows a story to be told in the first person and to be retold in the third person, adding a multidimensional perspective to the communication.

*In this project, I record and collect the stories of people's lives by 'overhearing' them. In the process of "eavesdrop" and its preservation,
we become part of other people's lives, walking on the edge of privacy, becoming collectors, recorders and transmitters of other people's experiences,
and thinking about the meaning of this act.

⭆⭆Experimental Images: (1), (2).

LOVTEL▅▆ ▉

♡ ⍢❣❣♡♡

In this experimental project, I put love into a fictional hotel, offering different services and hotel types depending on the type of love,such as: Fast Food Love, Romantic Love, Sexual Love, Empty Love; and collecting the opinions and stories of people who have experienced these loves as hotel 'reviews' to give people a better understanding of modern love.

*In this Hotel Brochure, I combined "Love" and "Hotel" to form the name of the hotel.
And the logo was designed from architectural references,
used a graphic approach to outline the shapes of the different hotels and matched them with the right colours.

➼Video: 1’37’’